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POL Articles
MARCH 2004

From Russia...
Preview Peter Ashton

Katie Melua - Pavilion Theatre,  Bournemouth - Wednesday March 10.Teenage singer-songwriter Katie Melua’s rise to fame has been nothing short of sensational. Just turned nineteen, her single “The Closest Thing To Crazy” went to No 10 in the UK singles chart last December, and her album “Call Off The Search” hit the top spot in the album charts in January of this year.
Stunning looks, beautiful voice with a jazzy, bluesy feel, Katie stops off at
Bournemouth’s Pavilion Theatre on her national tour on Wednesday March 10.
With a five-album record deal and a management contract with Dramatico under her belt, Katie’s future looks assured. After graduating from the Brit School, Katie’s talent was spotted by composer Mike Batt who worked with her on her debut album.
Katie sums up her life so far in her own words: "I was born in Georgia in
the former USSR in 1984, living in Moscow for a while when I was three or four. Not surprisingly I don’t remember a lot of Moscow back in the communist time, although one thing I do remember is that the place we were staying in did the most amazing pancakes I’ve ever tasted. Leaving Moscow and the pancakes I spent most of my childhood in Georgia in the seaside town of Batumi.
There’s really nothing better than swimming in the Black Sea. When I was nine, my dad got a job as a heart surgeon in Belfast, so we moved there. When I told this to one of my teachers later on in England he described the move as: "From the frying pan into the fire". I never really viewed it as that because I had a great childhood both in Georgia and Northern Ireland. I found the people in Northern Ireland extremely warm and made great friends at St. Catherine’s Primary School and Dominican College, Fortwilliam.
Katie continues: “I went to catholic schools in Northern Ireland while my
younger brother went to a protestant school. I didn’t always want to be a singer or songwriter. My ambition when I was thirteen was to be a politician or a historian. I honestly thought I'd be able to bring peace to the world....
If I ruled it! We lived in Belfast for five years after which we moved to
South East London. There I went to Nonsuch High School for Girls. When I was fifteen I entered a TV talent competition called “Stars Up Their Nose” (sic) singing Mariah Carey's "Without You". I won the competition (the prize was a bedroom makeover and an armchair for my dad) and also gained valuable experience by performing live on ITV three times.
“Moving so much didn't really bother me, cause you get so used to it.
I've been to seven different schools, the final one being the Brit School for Performing Arts where I did a BTEC, and Music A-level. I started writing songs two years ago and have (with my parents' help) a small studio set-up at home. My influences are Queen, Joni Mitchell, Bob Dylan, Eva Cassidy, Irish folk music and Indian music. I strongly believe that great artists are artists who are original and talented in their music and performance. Music should be performed live. It is offensive to the audience if you mime. I always get a warm feeling when I see someone holding either a guitar case or a violin case on the street, - it's like I know I'd get on well with that person and I always smile or say hi."
Ticket details for Katie’s concert at the Pavilion on March 10 are available through 01202 456456.
(© Peter Ashton 2004)

 

Classic Hackett
Preview by Peter Ashton

Steve Hackett - Guildhall, Southampton - Sat March 20One of the country’s most innovative and original musicians plays a gig at
the Guildhall in Southampton on Saturday March 20. Steve Hackett, a former member of Genesis and a massively talented guitarist, singer and composer has explored many facets of music since leaving the band in 1977 due to artistic differences.
Steve played on eight albums with Genesis, his complex, haunting and
distinctive guitar style contributing heavily to their early success. But even
before he left the band he was ploughing his own individual furrow on the solo album “Voyage To The Acolyte,” and his solo career progressed after setting out on his own in the late 70s with a number of ground-breaking albums including the UK Top 10 album “Defector.”
In 1986 he linked up with former Yes guitarist Steve Howe and vocalist Max Bacon in GTR, producing a self-titled album which reached the US Top 20 album charts. Since then his output has been prolific with over a dozen albums including a collection of acoustic guitar pieces “Momentum” which was released in 1988. In the Spring of that year he performed extensively throughout Britain and the UK, culminating in a performance in the Soviet Union in front of a crowd of over 90,000.
In 1992 Steve collaborated with the London Chamber Orchestra on a
performance of Vivaldi’s Guitar Concerto at London’s prestigious South Bank. The following year he amazed his fans with an inspired album “Guitar Noir” an electric excursion into a variety of eclectic sounds. One of his greatest achievements came with the 1997 release "A Midsummer Night's Dream" - a series of original compositions for classical guitar and orchestra inspired by the play. The album fulfilled another of Steve's ambitions - to record with The Royal Philharmonic Orchestra - and put him in the UK's classical Top 10. Another late 1990s gem came when prompted by his fans, Steve took what he described as "an affectionate backwards glance" at some of the pieces he recorded with Genesis between 1971 and 1977, recruiting a team of his contemporaries plus The Royal Philharmonic Orchestra to record "Genesis Revisited."
Following up with the brilliant, atmospheric “Darktown,” in 1999 and last
year’s “To Watch The Storms,” Steve’s output over the last decade has been truly amazing.
What he will play at The Guildhall on March 20 is anybody’s guess, but you can bet it will be a concert to remember. Ring 02380 632601 for ticket details. (©Peter Ashton 2004)

 

A double Gordons
Preview by Peter Ashton

Gordon Haskell - The Brook, Southampton - Sun March 14One of the South’s most popular singer-songwriters, Gordon Haskell, is doing a few gigs in the area before the release of his new album. Gordon plays two gigs with saxophonist Paul Yeung and guitarist Robbie MacIntosh at The Brook, Southampton, on Sunday March 14 and Fareham’s Ashcroft Arts Centre on Saturday March 27.
When I spoke to Gordon recently he said that he was "very pleased" with the new album but did not want to talk about it until its’ release in the summer.
There was an undercurrent of barely controlled euphoria in Gordon’s voice
though, and anyone who knows this inspired individual knows just what he is capable of. All I can say for the time being about the new album is that it covers a selection of songs by Gordon’s favourite composer Michael Franks, an American pop-jazz singer who has been writing superb songs for the last thirty years. In turn much influenced by the late Antonio Carlos Jobim, bossa nova pioneer and composer of "The Girl from Ipanema," Michael’s songs are often Latin-tinged, and like Gordon’s songs full of witty and descriptive lyrics.
Michael Franks songs like "Hourglass" and "When The Cookie Jar Is Empty" have appeared regularly on the Haskell set list for years, but Gordon is making fans wait until the album release date for track listings. He promises, though, that he will preview several tracks from the album on the two forthcoming gigs; the new CD will be launched at the 606 Club in London in May. The album was produced by ex-Average White Band and Paul McCartney band guitarist Hamish Stuart who helped assemble some class musicians to work with Gordon. They are Ralph Salmins on drums, Steve Pearce on bass, Peter Murray and Tony O’
Malley on keys, and Robbie McIntosh on guitar. It also features Nigel
Hitchcock, Paul Yeung, Bosco Neil Sidwell, Paul Spong , Martin Shaw, Jim Mullen and Gavyn Wright.
Gordon’s new work is very much in the "soft jazz" genre typified by his No 2 hit "How Wonderful You Are" just over two years ago. The single helped pave the way for mass acceptance of artists like Norah Jones and Jamie Cullum for which Gordon has possibly not really been given due credit. One thing is certain though, it’s going to be quite a year for Gordon – what looks like a hit album will be followed in the autumn by the publication of his autobiography, edited by hit comedy writer David Nobbs of Reggie Perrin fame. Provisionally titled "It’s Nothing Personal," it will no doubt be full of humorous Haskell observation; Nobbs’ principal duty has apparently been to tone down Gordon’s rants about the music industry!
Tickets for the Brook gig on March 14 are ?10 via 02380 555366 and £12 for the Ashcroft concert on March 27 – box office 01329 310600.
  (©Peter Ashton 2004)

 

Silver surfer
Preview by Peter Ashton

John Walker - Solid 60s Show - Various dates throughout MarchThe Solid Silver 60s Show is back on the road and one intriguing name on the bill is that of John Walker formerly of The Walker Brothers whose three
biggest hits back in the 60s still get constant airplay. John joins Peter Noone of Herman’s Hermits, Brian Hyland, Wayne Fontana and The Dakotas at concerts taking place in Portsmouth, Basingstoke, Bournemouth and Salisbury, plus 34
other towns all around the country over the next six weeks.
As most people know, The Walker Brothers were not brothers at all but three young men from Los Angeles, John Maus (John Walker), Scott Engel, and Gary Leeds. They arrived in the UK in 1965, each taking the surname Walker and becoming The Walker Brothers to score their first hit “Love Her “ and go on to produce the classic hit songs “Make It Easy On Yourself,” “My Ship Is Coming In” and “The Sun Ain’t Gonna Shine Anymore.” Scott Walker’s peerless lead vocals, John Walker’s backing vocals and an orchestral “wall of sound” a la Phil Spector made for a highly individual mix that shot the group to the top.
The Walker Brothers were a short-lived phenomenon; Scott Walker’s
increasing fear of fan hysteria and his own musical preferences led to him going solo and The Walkers packing up at the peak of their success in the late 1960s.
They reunited for a brief period in 1974 to effortlessly chalk up another
classic, “No Regrets” and the album of the same name, plus two more albums before they went their separate ways again. Meanwhile John had made his own solo album which included the single “Annabella” written by Graham Nash.
John returned to California and as far as most people were concerned, out of the music business. However this was not the case. John became attracted to the technical side of recording, and after building his own studio, spent a number of years learning to be a recording engineer. Recalling the earlier recording sessions with the Walker Brothers, John later admitted that he never paid much attention to how important the engineer was to the session.
Eventually John also began writing material primarily for other artistes,
forming his own publishing company Arena Artistes Association. At this stage John had no intention of recording songs himself, just making demos for other artists, but as more songs were completed and more recordings were made, the idea of making his own album began to take shape. The CD “YOU” was the result in 2000 featuring a still-recognisable John Walker vocal style and some sincere, romantic songs. As well as being writer, arranger, engineer, producer and vocalist John also played guitar, keyboards, and all the instrumental parts apart from bass and drums. While the album may not have got the attention it deserved at the time, it did signify that John Walker was very much in the business of making music.
Maybe that had something to do with the invitation to join the Solid Silver 60s Tour and his first stagedates for about thirty years.
The Solid Silver 60s Show is at Portsmouth Guildhall on March 10, The
Anvil at Basingstoke on March 18, Bournemouth Pavilion Theatre on March 23 and Salisbury City Hall on March 26.  (©Peter Ashton 2004)

 

Duck duo
Preview by Peter Ashton

Elenor McEvoy - The Duck, Laverstock - Sunday March 14Singer-songwriter Eleanor McEvoy may not be a household name in this country, but back home in her native Ireland she is a massive star. Her song inspired the title for and appeared on “A Woman’s Heart,” a 1992 anthology album which has since become the best selling album in Irish music history, eclipsing records by legendary artists like U2 and Van Morrison. Eleanor appears with pianist Brian Connor at The Duck, Laverstock, near Salisbury on Sunday March 14.
Eleanor seems to have been predestined for a career in music from the day she was born. At the tender age of four she performed at an Irish music competition as the lead singer in her sister's band. At eight, she took up the violin and studied both piano and violin throughout her childhood. Upon leaving school she attended the prestigious Trinity College in Dublin, studying music by day and worked in pit orchestras by night. She graduated from Trinity with an honours degree and was accepted to the National Symphony Orchestra of Ireland. Eleanor worked with the NSO for five years before following her heart, leaving the classical world behind her to concentrate on her real passion - songwriting.
Two years after the success of “A Woman’s Heart” Eleanor’s eponymous debut album "Eleanor McEvoy" was released world-wide and Eleanor toured the USA, Europe and the Far East to promote it. Two more albums followed in the 1990s, "What's Following Me?" and “Snapshots”, and Eleanor also sang several songs on movie soundtracks, notably "Whisper A Prayer To The Moon" in the Pierce Brosnan film,"The Nephew", and "The Seabird" in "Some Mother's Son" starring
Helen Mirren. Over the last few years Eleanor has teamed up with pianist Brian Connor, who appears with her at Laverstock and features on her latest album, “Yola.” Based on a fundamentally classical approach, Eleanor’s songs are tinged with the influences of many cultures: traditional Irish music, South American, Americana, and much more.Her songs have been covered by artists as diverse as Emmylou Harris and Mary Black.? For more detals of The Duck gig ring 01722 327678. (©Peter Ashton 2004)

 

Lighthouse Rokia
Preview by Peter Ashton

Rokia Traore - The Lighthouse Poole - Thursday March 11Some high-quality world music happens at The Lighthouse in Poole on Thursday March 11 when top singer-songwriter Rokia Traore from Mali in West Africa, appears.
Rokia comes from an area where professional musicians are often from a
certain lowly caste called the 'griots'. However, Traore's family are from the
Bamana ethnic group who do not observe this restriction so strictly, so when Rokia was young she was able to sing with others at wedding celebrations, despite coming from a privileged background. As Rokia's father was a diplomat, her family spent a lot of time in different countries while she was growing up.
She came into contact with many local and international styles of music,
although her parents were reluctant for her to become a musician. When she was a bit older Rokia stayed at the lyciin Bamako while her parents were in Brussels and there she developed her voice and first performed in public.
In 1997 she met Ali Farka Toure who gave her a lot of guidance and
confidence to record her first album in 1998, “Mouneia.” She followed up with 2000's “Wanita” CD which included a song sung in French, “Chiau de Sable” with all other songs in her native language. The lyrics of Rokia’s songs cover issues like respect, traditions, childhood and relationships but the hallmark of Rokia's music is her trance-like rhythms and beautiful melodies. Her latest album is “Bowmboi” was released last year.
Rokia has performed at the WOMAD Festival in 2001, and also at several venues in USA and London including the Barbican. She has been a finalist for several awards and won the Kora All Africa Music Award for Most Promising Female in 2001. A compelling stage performer who combines vocals, guitar and dancing Rokia should light up The Lighthouse. (© Peter Ashton 2004)

 

 

Freed Spirit
Preview by Peter Ashton

Freed - The Marine Theatre, Lyme Regis, Dorset, -  Friday March 19Remember the classic rock anthems “Alright Now,” “My Brother Jake” and “Wishing Well” - if you do then you must be a fan of Free, one of Britain’s best-ever blues-rock bands who last performed live in 1973.
Over thirty years later their music is still as popular as ever, and it’s being played live again by London-based band Freed who have taken their heroes’ mix of blues with attitude, groove and raw soul back on the road. Playing to fans of Free and a whole new generation of rock-lovers, Freed’s Spirit of the Sixties Tour includes a charity event at The Marine Theatre, Lyme Regis, Dorset, on Friday March 19. The gig is being staged to raise money for the Paul Kossoff Fund. Paul Kossoff, an original member of Free, died tragically on March 19, 1976, so the Marine Theatre gig is dedicated to his memory, 28 years after his death. Paul was a victim of drug abuse, and his father, actor David Kossoff manages the Paul Kossoff Fund in a bid to warn other youngsters of the dangers of taking drugs. He will be attending and opening the show which also features Jimi Hendrix tribute artists, Purple Haze.
Bill-toppers Freed will be presenting their usual dynamic stage act with
vocalist Simon Fowles capturing the legendary Paul Rodgers' vocal style and Mike Jarvis superbly reproducing the raw and emotional guitar voice of Paul Kossoff. Former Hackensack bassist Izzee Misri and drummer Kenny Stone produce uncanny groove sounds in recreating the work of Andy Frazer and Simon Kirke to complete a winning combination
that is authentic, exciting and sincere.
Advance tickets are ?10 via 01297 442394; you can find more info by having a look at Freed’s website www.freed.org.uk. (© Peter Ashton 2004)

 

Looking for a different article? Click here for our archive

MARCH
Featured artists:
(see
Articles for info)

Katie Melua - Pavilion Theatre,  Bournemouth - Wednesday March 10.
Katie Melua
Pavilion Theatre Bournemouth
Wed March 10

Steve Hackett - Guildhall, Southampton - Sat March 20
Steve Hackett Guildhall, Southampton
Sat March 20

Gordon Haskell - The Brook, Southampton - Sun March 14
Gordon Haskell
The Brook Southampton
Sun March 14

John Walker - Solid 60s Show - Various dates throughout March
John Walker
Solid 60s Show Various dates throughout March

Elenor McEvoy - The Duck, Laverstock - Sunday March 14
Elenor McEvoy
The Duck
Laverstock
Sun March 14

Rokia Traore - The Lighthouse Poole - Thursday March 11
Rokia Traore
The Lighthouse Poole
Thurs March 11

Freed - See Playing Out Loud News for full tour details
Freed
The Marine Theatre, Lyme Regis, Dorset Fri March 19

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