Starring Geno
POL Exclusive interview by Peter Ashton
GENIAL soul giant Geno Washington is alive and well and living in
London.
Things are going great for the ebullient American these days with a new album
and loads of bookings, but before Dexy’s Midnight Runners’ “Geno” hit No 1 in
the charts and put him back on the map in 1980 his career was in the doldrums. I
talked to Geno just before a recent gig on the Isle of Wight.
Looking back at the late 1970s, Geno admitted: “I couldn’t write nothing
man - I’d lost my confidence, and started blaming my problems on other things. A
tour with the Beach Boys had just fallen through and I had a real bad nervous
breakdown - I wouldn’t talk to my wife and I just had no career at that time. I
guess the Dexy’s hit was the rebirth of my whole life. Six months later I
returned to the UK - I’d got my confidence back and I was getting into the
groove. Offers were coming in for me to perform again and I thought “I’m coming
back for the hell of it,” and it\s been all gravy since then.”
Geno was born in Evansville, Indiana, and was stationed in East Anglia with the
US Air Force during the 1960s. He became a singer by accident after getting on
stage to sing at a club. “Blues was my first love,” admitted Geno, “but soul was
the thing back in the early 1960s when I formed the Ram Jam Band after leaving
the Air Force.” When I told Geno that I had first seen him perform back in 1964
at the old Concorde Club in Southampton, he was amazed. “Oh, my God, man I will
always remember that place - it was a hot place to be then, a real, bad-ass
place,” enthused Geno. “You were really there? Man, you’re only about the
fourth person I’ve talked to in the last forty years who remembers those days!
We really put on a show there. In those days you had to
reach out and excite the crowd even if it meant acting crazy and stupid - you
wanna gig, you gotta groove. They paid for the tickets and you had to entertain
them.”
After touring with the Ram Jam Band for several years and recording four albums
with them, Geno disbanded the group in 1970, hibernating for a few years before
returning shaven-headed to resume his career with a succession of different
line-ups. But by the end of the 1970s Geno was based in the USA with his career
in decline. “Things changed for me when I met a lady called Pat Collins,” Geno
told me. “She was a psychic who worked for the Los Angeles Police Department,
and I started hypnotherapy sessions with her. This led to me studying for a
Hypnotherapy Degree at the University of San Francisco and a huge
surge of creativity coinciding with the Dexy’s hit relaunching my career.”
Back in the UK in the 1980s, Geno was his old, ebullient self again and
cries of “Geno! Geno! Geno!” echoed out at clubs and venues all over the
country. “If you got the glide in your stride and the loot in your suit, you got
the stuff in your cup,” laughed Geno. “I was rejuvenated and enjoying life again
- I was so happy I was scared of dyin'! I started writing my own songs and I
wrote a book called “The Blood Brothers” which got good reviews.”
Geno has recently poured his creativity into a new album “The Return of the G.”
A CD containing completely original material, it is available through Geno’s
website www.genowashington.com. “We are in talks with a major record company to
get proper distribution,” said Geno, “I think it’s a great album and I hope to
release a single from it soon. Meanwhile, I’m just gonna keep performing. To me
you’re only as good as your last gig. What I do is totally hardcore soul, I’m
not doing cabaret soul like some of those guys. I keep it real, and people come
up to me after gigs and say “hey man, you were just as good tonight as you were
when I saw you thirty years ago.” “That’s what keeps me going - it’s in the
blood and it still gives me a thrill to perform. I have two bands now, the
Purple Aces which is my blues band, and the Ram Jam Band
for my soul act, although the two overlap. People always want to hear the soul
hits.”
Geno’s next big gig is The Official Edwin Starr Tribute Concert at the
Assembly Rooms in Tamworth, Staffordshire on Sunday September 28. Geno tops the
bill in memory of the late soul star - also playing are The Real Thing, Clem
Curtis and The Foundations and many more acts. For more info ring 01827 709620. (©Peter Ashton 2003)
Carvin up the blues
Preview by Peter Ashton
“One of the 50 greatest blues guitarists who ever walked the earth” is
coming to the Isle of Wight this month. Carvin Jones is the man; the quote from
Guitarist Magazine may or may not be accurate, but he is definitely worth seeing
if you like artists like Jimi Hendrix, Stevie Ray Vaughan and Eric Clapton who
have all influenced him.
Carvin Jones was born in Lufkin, Texas in June 1966, first picking up on the
blues by listening to his grandfather’s BB King records. Aged 11, Carvin
recalls: "My grandmother bought me my first guitar because I would borrow other
people's and when they came back to get them, I'd bum out. She took me downtown
and bought me a guitar. I'll never forget that day. My part of town was a rough
neighbourhood with a capital R. "I saw people literally get killed - shot,
stabbed, whatever. The guitar kept me out of trouble because I was always inside
playing the guitar away from that."
For a few years after high school Carvin performed at small venues around Texas,
but decided to move to Arizona in 1989. He moved in with his aunt and uncle, The
Rev Henry Adams and his wife Mattie, in their home in South Phoenix.
He formed his first band in 1990 and began taking gigs anywhere they could get
bookings. ”We'd go in and play for hamburgers and soda pop,” Carvin laughs.
By March, 1991, the Band had gained tremendous local popularity, playing at
clubs all over the Valley. Over the next decade Carvin and his band spread the
blues word all over the USA, celebrating their 3000th performance in March 2000.
Over the past ten years, the Carvin Jones Band has opened for guitar
legends BB King, Santana and Albert King, and has performed with Joe Cocker and
the Fabulous Thunderbird's and REO Speedwagon. Carvin and his band have made
several successful tours of Europe, with Carvin’s showmanship and extrovert
guitar style impressing at venues like The Brook in Southampton.
Carvin and friends will be getting down to some real gritty blues at
Shanklin’s Portico Theatre on Saturday September 20 - ring 01983 730930 for more
details. (©Peter Ashton 2003)
Biffy Banquet
Article by Peter Ashton
Biffy Clyro are a trio of punk rockers who do things their way. Signed to
an independent label, they write, play and record what they want, and still
rehearse in the same YMCA room for £10 a week. Their recent 30-date tour sold
out up and down the country, and now Biffy are back on the road to promote their
new EP “Eradicate The Doubt,” which includes gigs at The Villa in Bournemouth
and The Wedgewood Rooms at Southsea.
Biffy Clyro are guitarists Simon Neil and James Johnston and drummer Ben
Johnston. Formed by Ben and Neil in the mid-1990s while in their mid-teens, the
band’s formative years began with a Nirvana/Guns N’ Roses fixation and a brief
spell as Screwfish. When Ben’s twin brother joined the band on bass, the band
relocated to Glasgow and became Biffy Clyro, hardening their sound and expanding
their musical horizons. Their debut single “Iname” was released in May 1999, and
they exploded on to the live scene to refine their taut, emotionally charged
sound at show after show.
Spotted playing the unsigned stage at 2000's T In The Park festival, they
promptly signed to Beggars Banquet, releasing the single ”27” in October
2000. Sharing vocal duties to sing Simon’s emotional and powerful lyrics, they
quickly built up a huge fanbase with constant live appearances. Their first
album “Blackened Sky” was recorded in 2001, and their second “ The Vertigo Of
Bliss,” recorded in just one day, was released earlier this year. A rich,
diverse album of angular post-hardcore / alt-rock, it defined the Biffy sound.
Now, Biffy Clyro are on the road to promote their new EP which includes a live
version of “Eradicate The Doubt.” They play The Villa in Bournemouth (01202
551802) on Monday September 22 (the day of the EP release) and The Wedgewood
Rooms at Southsea (02392 293301) on Sunday September 28. (©Peter Ashton 2003)
Classic Charles
Article by Peter Ashton
A sensational blues and soul artist with a bit of a reputation as a
showman plays The Brook in Southampton later this month. Veteran singer Charles
Walker who cut his first record way back in 1959 plays at the venue on Thursday
September 18.
Charles is from Nashville and began his recording career there, though most of
his later records were made and released in New York. His first record “Slave To
Love” was credited to Charles Walker & The Daffodils, although there was no such
group - the back-up singers on the single were label mates The Kinglets and
Larry Birdsong.
Charles moved to New York City in 1960; by 1962 he was recording with Chess
Records out of Chicago. He then became lead singer with the J C Davis Band,
touring the USA opening for many of the greats of the era, including Jackie
Wilson, James Brown, Sam Cooke, Otis Redding, and Etta James. During this time
Charles cut many barn-storming singles like ”Sweet Little Love” and “The Chicken
Scratch.”
In 1964 Charles formed his own group Little Charles & The Sidewinders who became
one of the most popular soul bands on New York City's nightclub scene. Tracks
like “Hello Heartbreaker’” and “Please Open The Door” have since become classics
amongst aficionados of what is now known as ‘Northern Soul.’
The close of the 70s saw Charles signed as a staff songwriter for Motown; during
the 80s Charly Records re-issued many of the Sidewinders classic recordings in
the UK due to public demand. Reacting to the new market for classic soul in the
UK and Europe, Charles formed his own PRG label, issuing the single “See Me” and
relocating first to and Spain and then England where he worked steadily and
recorded more sides.
In 1993 he decided to return to Nashville to concentrate on recording,
performing club work at night and recording in the day with Allman Brothers
keyboardist Johnny Neal. A chance encounter with an old acquaintance from the
1950's, Al Garner, led to a guest spot on the Garner & The Roadrunners CD
“Leavin Tennessee” on Black Magic Records. Pretty soon Charles found himself
recording his own Black Magic album “I'm Available” which - under its
alternative USA title of “Leavin This Old Town” - was nominated in 2000 for
'Comeback Album of the Year.’
The album put Charles back in the public eye and led to appearances at
major Blues Festivals in Europe over the next year, followed in 2002 by Charles’
first full-length tour of the UK and Europe. During this tour UK-based Zane
Records commissioned Charles and his producer Fred James to come up with a
classic ‘real soul’ album. The result was the well-received “Number By Heart’”
released earlier this year, which is destined to become an all-time classic soul
album.
Advance tickets for the Charles Walker Band gig at The Brook are £8 through
02380 555366. (©Peter Ashton 2003)
Master Bobby
Preview by Peter Ashton
It probably does no harm at all to your credibility when you mention
that you are Eddie Cochran’s nephew, but Bobby Cochran, currently touring the
UK, has many more impressive entries on his rock CV. The American guitarist,
singer, writer and producer admits that he was initially influenced by his Uncle
Eddie who died in a UK road accident aged only 21 in 1960, but since the age of
13 he has worked hard at becoming a master guitarist and a talent in his own
right.
His early professional career is studded with impressive names. Bobby played
guitar with Steppenwolf, The Flying Burrito Brothers and Leon Russell before
forming his own band, Bobby & The Midnites. Joining him in his band were Bob
Weir of The Grateful Dead, Billy Cobham of the Mahavishnu Orchestra, Alphonso
Johnson of Weather Report, Kenny Gradney of Little Feat, and Dave Garland,
formerly with The Righteous Brothers.
As well as his career as a guitarist, Bobby has maintained parallel careers
as a writer and producer which has encompassed movies, videos, television and
records. He is now recognised as one of the top twelve rock guitarists in the
USA and has held guitar clinics in the States, Europe and Japan. Along the way he
helped to design and develop the guitars, amps and effects he uses in his work.
One tragic and disturbing event in Bobby’s life was the death of his
daughter Bree in 1999. She died on the same date as Eddie Cochran, April 17, at
the same age, 21, and in the same tragic manner, in an automobile accident. Bree
is remembered on Bobby’s website www.bobbycochran.com.
Bobby and his current band play The Tivoli Theatre in Wimborne (01202 848014) on
Thursday September 25 - advance tickets are £10. (©Peter Ashton 2003)
Poozie doozie
Preview by Peter Ashton
One
of folk music’s most vibrant bands make three appearances in Hampshire during
September. The Poozies, an all-female outfit who have been around since 1990,
have built up a strong live following with their unique act, which combines
humour with passion and musical virtuosity.
The Poozies current line-up sees founder members Patsy Seddon and Mary Macmaster
joined by Eilidh Shaw and Karen Tweed. Patsy and Mary play electro-harp,
gut-strung harp, fiddle and percussion, while Eilidh plays guitar, fiddle and
percussion, with Karen adding some mercurial accordion playing. A prominent
feature of The Poozies’ style is their strong vocal harmonies, with all the
girls combining to sing traditional Scottish Gaelic songs, new material written
by Patsy and Mary and a rich variety of other songs.
Former members of the band include Sally Barker and Kate Rusby, who has gone on
to a spectacularly successful solo career and is currently also touring with her
own band.
The Poozies have continued to evolve over their fourteen-year career, with the
most recent recruit, Eilidh Shaw, an accomplished fiddler who grew up playing in
her parent’s ceilidh band The Highfield Band, adding a completely fresh element
to the band. The musical chemistry between Karen and Eilidh is particularly
impressive with Karen’s exquisite accordion and Eilidh’s delicate fiddle
interweaving to create some inspired harmony and counter-melody, underpinned by
the magical sound of the nylon and metal strung harps of Patsy and Mary.
The success of The Poozies is reflected in the sales of their four albums
and sellout gigs wherever they appear. You can see them at the Portico
Theatre, Shanklin, Isle of Wight (01983 730930) on Thursday September 18, Forest
Arts, New Milton (01425 612393) the following day, and The Anvil in Basingstoke
(01256 844244) on Sunday September 21. (©Peter Ashton 2003)